Skip to main content

Logo

Evanston Symphony Orchestra

Lawrence Eckerling, Music Director

Announcing Our 2026–2027 Season

For The Love of Music

Subscribe Today

Save up to $50 and get the best seats

Celebrating Beethoven’s Brilliance
Great Romantics
Saint-Saëns Organ Symphony
A Mass for Peace

Musical Insights

Free Pre-Concert Preview Series!

Musical Insights Icon

Enhance your concert experience with a sneak preview — Composers come alive and their passions take center stage when ESO Maestro Lawrence Eckerling takes you on an insider’s tour of the history and highlights behind the music.

Merion’s Crystal Ballroom

529 Davis St, Evanston.
FREE and open to the public.

Please RSVP to 847-570-7815.

Light refreshments will be served and casual tours of apartments will be available after the program.

Latest News

Evanston Symphony Orchestra offering special holiday show for people with special needs, by Chris Gillock

Dec. 14 performance will welcome those who vocalize, move and have different ways of experiencing music

So Long, John Russell—and Thanks!

Retired ESO timpanist John F. Russell was born in ­Gloucester, England. His parents worked in a nursing home there ­until an American relative in Cicero offered his father work and housing.

June 2025 concert videos

Please enjoy these wonderful videos from our June concert

Ko-Eun Yi playing Ravel's Piano Concerto in G Major.

A Choral Work as Symphony

Felix Mendelssohn was a musical prodigy from a very young age. Mendelssohn’s family helped cultivate his talents beyond music, including lessons in literature and painting. He studied piano, which included some travel to Paris with his sister where he took piano lessons.

17th-Century Events, 20th-Century Music

Linda Robbins Coleman is a native of Des Moines, Iowa. A Drake University graduate, Coleman was Composer-in-Residence for Drake Theatre, scoring 35 plays ranging from the ancient Greeks to the moderns from 1977-1997.

Mahler's Monumental First Symphony

Gustav Mahler (1860–1911) wrote his ambitious first symphony while he was a conductor of the Leipzig Opera in Germany in 1888. On the piece’s first page, Mahler wrote wie ein naturlaut, which loosely translates to “as if spoken by nature.”